Courtesy towards the things of Nature: Interpretations of Messiaen's ‘Catalogue d'oiseaux’
Identifieur interne : 000E01 ( Main/Exploration ); précédent : 000E00; suivant : 000E02Courtesy towards the things of Nature: Interpretations of Messiaen's ‘Catalogue d'oiseaux’
Auteurs : Robin FreemanSource :
- Tempo [ 0040-2982 ] ; 1995-04.
Abstract
Messiaen's Catalogue d'oiseaux is most often programmed as individual pieces: which is as it should be, since it is not a cycle like the Vingt regards sur I'enfant Jésus but a collection from which to select what, and how much, one wants to play or hear at a particular time. All the more important to have complete recordings of it, so what we listen to has a consistent interpretative grain. In addition to the style oiseau there is of course the style Loriod, an essential point of reference, above all for the rendering of certain percussive effects; but, once these have become technical second nature, the margins of fantasy seem as comfortable as with any other composer. In fact what Bertrand Poirot-Delpêche calls le paradoxe flaubertien would seem especially applicable to music so full of precise detail: plus les détails s'accumulent, plus il faut rêver leur sens.
Url:
DOI: 10.1017/S004029820000406X
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 001759
- to stream Istex, to step Curation: 001758
- to stream Istex, to step Checkpoint: 000D29
- to stream Main, to step Merge: 000E07
- to stream Main, to step Curation: 000E01
Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">Courtesy towards the things of Nature: Interpretations of Messiaen's ‘Catalogue d'oiseaux’</title><author><name sortKey="Freeman, Robin" sort="Freeman, Robin" uniqKey="Freeman R" first="Robin" last="Freeman">Robin Freeman</name></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:CC30B87691724007335C9F3BE486DE4A1B46C5D3</idno><date when="1995" year="1995">1995</date><idno type="doi">10.1017/S004029820000406X</idno><idno type="url">https://api.istex.fr/document/CC30B87691724007335C9F3BE486DE4A1B46C5D3/fulltext/pdf</idno><idno type="wicri:Area/Istex/Corpus">001759</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">001759</idno><idno type="wicri:Area/Istex/Curation">001758</idno><idno type="wicri:Area/Istex/Checkpoint">000D29</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Checkpoint">000D29</idno><idno type="wicri:doubleKey">0040-2982:1995:Freeman R:courtesy:towards:the</idno><idno type="wicri:Area/Main/Merge">000E07</idno><idno type="wicri:Area/Main/Curation">000E01</idno><idno type="wicri:Area/Main/Exploration">000E01</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">Courtesy towards the things of Nature: Interpretations of Messiaen's ‘Catalogue d'oiseaux’</title><author><name sortKey="Freeman, Robin" sort="Freeman, Robin" uniqKey="Freeman R" first="Robin" last="Freeman">Robin Freeman</name></author></analytic><monogr></monogr><series><title level="j">Tempo</title><title level="j" type="abbrev">Tempo</title><idno type="ISSN">0040-2982</idno><idno type="eISSN">1478-2286</idno><imprint><publisher>Cambridge University Press</publisher><pubPlace>Cambridge, UK</pubPlace><date type="published" when="1995-04">1995-04</date><biblScope unit="issue">192</biblScope><biblScope unit="page" from="9">9</biblScope><biblScope unit="page" to="14">14</biblScope></imprint><idno type="ISSN">0040-2982</idno></series></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0040-2982</idno></seriesStmt></fileDesc><profileDesc><textClass></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Messiaen's Catalogue d'oiseaux is most often programmed as individual pieces: which is as it should be, since it is not a cycle like the Vingt regards sur I'enfant Jésus but a collection from which to select what, and how much, one wants to play or hear at a particular time. All the more important to have complete recordings of it, so what we listen to has a consistent interpretative grain. In addition to the style oiseau there is of course the style Loriod, an essential point of reference, above all for the rendering of certain percussive effects; but, once these have become technical second nature, the margins of fantasy seem as comfortable as with any other composer. In fact what Bertrand Poirot-Delpêche calls le paradoxe flaubertien would seem especially applicable to music so full of precise detail: plus les détails s'accumulent, plus il faut rêver leur sens.</div></front></TEI><affiliations><list></list><tree><noCountry><name sortKey="Freeman, Robin" sort="Freeman, Robin" uniqKey="Freeman R" first="Robin" last="Freeman">Robin Freeman</name></noCountry></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000E01 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000E01 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= DebussyV1
|flux= Main
|étape= Exploration
|type= RBID
|clé= ISTEX:CC30B87691724007335C9F3BE486DE4A1B46C5D3
|texte= Courtesy towards the things of Nature: Interpretations of Messiaen's ‘Catalogue d'oiseaux’
}}
| This area was generated with Dilib version V0.6.33. |  |